Archive for September, 2012

Edinburgh in Literature

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Not just home to years of heritage, beautiful scenery and the Proclaimers, Scotland’s capital has also lent itself to a variety of literature and film over the years, ranging from the famous detective exploits of Ian

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Rankin’s Inspector Rebus to Robert Louis Stevensons’ depiction of romance in wartime Hermiston, and films like ‘Trainspotting’, depicting the Leith drug scene of the 1990s. Through the mediums of film, TV and fiction, it seems that every side of Edinburgh has had its turn in the limelight.

Way back in 1896, one of Edinburgh’s most famous residents (and alleged inventor of ‘The Student’ newspaper) Robert Louis Stevenson began what some would consider his best work, The Weir of Hermiston – but tragically never finished it, due to a pesky brain haemorrhage. The story tells the tale of Archie Weir, a hopeless romantic banished from his family to live as a laird in Hermiston, where he falls in love with local girl Christina. We never get to hear what happens after the development of the relationship because of Stevenson’s sudden death, but we can probably assume that it involved some balance of drama and romance suitable for the desolate countryside scenery.

There is extra interest in this tale for those familiar with Edinburgh and its surrounding area – much

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has changed in the last 150 years and, while Stevenson’s story depicted young lovers frolicking amongst nature in the countryside of Hermiston, one would now find in its place the populised suburb of Currie and Heriot Watt University’s campus; probably setting to a very different type of love story, then.

If we fast-forward 63 years – during which Edinburgh found itself in the novel adaptation of Greyfriar’s Bobby as well as 1959 film The Thirty-Nine Steps – we find one of the most famous depictions of the city in Muriel Spark’s 1961 novel, The Prime of Miss Jean Brodie. The plot itself has won many fans over the years with its interesting characters and use of prolepsis* as a structural tool, but Edinburgh natives will also revel in mentions of Middle Meadow Walk, Grassmarket and other Edinburgh spots, as well as the fact that Miss Brodie herself was based on a teacher of Spark’s at James Gillespie’s High School in the city’s South side.

In fact, the novel has such broad appeal that it forms part of Edinburgh University’s first year English Literature course as well as appearing on Time Magazine’s 100 Greatest Novels list and being adapted for stage and screen, with Maggie Smith depicting the maverick school mistress (sound familiar?) in the 1969 film adaptation of the same name.

The 1980s saw Inverleith, The Assembly and Holyrood Park take centre stage in historical Olympic drama Chariots of Fire, while Ian Rankin’s Rebus was born in the later part of the decade and went on to star in 18 novels and even more short stories right up to today – even giving his name to an Edinburgh pub crawl which I’m sure Rankin regards as his greatest achievement to date. His stories span a large area of Scotland, visiting nightclubs and mining towns, pubs and countryside, and even Edinburgh locations as specific as St Leonards Police Station near Pleasance and Marchmont’s Arden Street.

However, while Rankin’s novels often depict a stark and poverty-stricken Scotland, it wasn’t until the 1990s that these aspects of the country and its capital were explored properly in the gritty novel Trainspotting in 1993 and its consequent film adaptation 3 years on. The black comedy starring Ewan McGregor and Jonny Lee Miller received almost universal praise, premiering at the Cannes Film Festival, although shown outside of competition due to its controversial subject matter. Well, its not exactly like Scotland is used to making it into major competitions anyway, as many a football fan will testify…

Trainspotting’s most famous scene opens the film with a police chase down Princes Street, and a scene that was cut before release depicted the actual theft from John Menzies superstore, where you would now find clothing chain Next. Politically of its time, Trainspotting happened against a backdrop of a dying Conservative government and the subsequent trend for rebelliousness after many a hard year.

But the grey and dreary Leith depicted in the film is not that which we see today. A refurbished port houses a range of fancy shops, bars and Michelin Star restaurants, and you’re more likely to find a botox needle than a heroin one amongst the new generation of yummy mummies and high-fliers setting up home in the district.

And so its clear that film and literature depicts not the city itself but a snapshot of it as it was at one particular moment. It is fitting then that one of Edinburgh’s most recent starring roles was in 2009 novel One Day (and 2011 film of the same name), which documents the lives of a couple on the same day every year for 20 years. With scenes purposely filmed at relatively unchanging landmarks like Arthur’s Seat, Parliament Square and Calton Hill, we’re reminded that, while the city has undoubtedly come on since Robert Louis Stevenson’s 1896 frolics in Hermiston, the features which give it its character and heritage will remain backdrop to many governments, innovations, buildings and generations.

So hey, maybe 116 years from now we won’t remember the trams at all.

 

*it means flashbacks/forwards – I would have had to look it up too had I not spent a painstaking first year as an English literature student.

Nanu Nanu Spotify Playlist – 2 Tone

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The perfect way to end the Nanu week? A Spotify playlist of the best of 2 Tone Records.

If

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you enjoyed this weeks Nanucation this should keep you happy all weekend long.

Nanucation Series 2 Episode 2 – 2 Tone with Elyse Jamieson

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The brand new series of Nanucation continues, this week with Elyse Jamieson

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and the legendary record label 2 Tone.

Nanucation is a series of documentary podcasts which take a closer look at the music you love. We will have a new episode each week focusing on a different era/genre/local.

Nanucation Series 2 Episode 2 – 2 Tone with Elyse Jamieson by Nanu Nanu on Mixcloud

Written & presented by Elyse Jamieson and produced by Finlay Niven for Nanu-Nanu.com

What’s Going On In Comedy: Cry Baby Comedy Present Airplane

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Comedy in Edinburgh outside of the festival is currently undergoing some way of transformation.

One of the freshest and most exciting of these changes comes in the form of a new night at the Cameo hosted by Cry Baby Comedy. The idea of the night is to use the wonderful venue for live comedy, with performances provided by some of the best Scottish Talent emerging today, headlined by a classic movie of mirth, with both elements fused into an interactive experience to liven up the usual and, comparatively dreary, cinema experience.

I have a rule: when you are offered a life jacked and greeted by a nun playing a guitar, you know you are in for a good night. Cry Baby Comedy did not disappoint.

Cry Baby and Leslie Nielson: The new face of comedy in Edinburgh.

Guests on the bill for the debut Airplane special were magnificent, with well known names if you have been keeping your ear to the ground, including Chortle Student Finalists Hari Sriskantha – who effortlessly and intelligently juggles with expectation and race using some well written observations and one liners – and David Elms. Elms brought the house down with his subtle intonation and Basden beating guitar-scapades, has clearly grown in confidence with the festival, and will doubtless soon be a household name, mark my words.

The ladies themselves are developing their own sassy voice as part of the Edinburgh scene. Compère Cat Wade can”t help but enjoy herself as she manages to balance a genuine, edging on excessive, enthusiasm for life with a sharp wit and natural badinage with the audience that would be the envy of most professional compères.

One of the highlights of the night came in the form of another of the Cry Baby organisers Gemma Flynn, who has become a regular favourite at another comedy venture for Academic Performance the “Bright Club” – here she is performing with them at the BBC tent during the festival, with the same Gangster”s Paradigm routine that went down so well at the last Cry Baby Show:

Alongside this remarkably astute comedy, variety was provided with some poetry and sketches. Clearly inspired by acts like Dan Le Sac, poetry was a welcome incorporation, and although this didn”t quite match the standards set by the other acts (by his own admissions, he wasn”t a stand-up and hampered slightly by technical problems) one can see this going down well with a bit more polish and stage presence.

Similarly, although not all the sketches were as well received as could be, the Edinburgh Revue provided some welcome respite with a section of solid skits. Having clearly grown as a troupe from their well received Festival outing, all of the performers working together admirably, perhaps most exciting of all were glimpses of sharper writing suggested this group had plenty of potential yet to be fulfilled. Between these, Adam Todd, doubling as both sketch and stand-up, is another act who, like Elms, is growing into his character with remarkable ability – a surreal man child who chooses whimsy over hate – and I cannot wait to see how his unique way of thinking develops as more material and ideas inevitably drip-feed into his routine.

At most gigs, this would have been more than enough for an enjoyable evening, but to top it all off, the headline act just happened to be one of the funniest movies of all time – the always hilarious Airplane. Despite being broken up by some technical problems – the film stock almost inevitably falling apart being now thirty years old – nothing could hamper the enjoyment of a clearly buoyant audience that left.

This is what live comedy should be – everyone together, involved and enjoying the night for what it is, a whole heap of fun. If this is the new face of comedy, then you”d best get used to seeing smiles all round.

Follow @CryBabyComedy on twitter to find out about

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Nanu Maps: Tea Rooms

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Hello, is it tea you’re looking for?

In this edition of Nanu: Maps, Ellie and Elyse go in search of Edinburgh’s finest tea rooms. From the quaint and traditional to the modern and chic, Edinburgh does tea rooms very well. Unlike coffee shops which adorn the streets of Edinburgh in quantity, tea shops are much more sparse in the city, but uncompromising in variety and quality. Tea is a staple of the British diet and can be enjoyed to the maximum in the following establishments.


View Nanu Maps: Tea Shops in a larger map

Clarinda’s

Canongate
Mon – Sat 08:30-16:30; Sun 09:30-16:30

Clarinda’s is a proper tea room. Antique china plates adorn the walls, doilies abound, and there’s a cake trolley laden with the day’s fresh homebakes, made on the premises. The instant you open the door there’s a welcoming whiff of thick soup, and the homely atmosphere continues with the small, “granny’s kitchen” style tables – which you will often find yourself sharing with other customers. Compared to many Royal Mile cafes, Clarinda’s is reasonably priced – only 90p for a cup of tea! There are a few specialist tea options, as well as a wide array of sandwiches (served with a handful of crisps, of course) and baked tatties. A lovely, quaint little establishment, which is popular with tourists and older locals alike – though due to its popularity, don’t expect to be able to hang out long after you’ve finished your cake.

Eteaket
Frederick Street
Mon-Tue 08:00-17:00; Wed-Fri 08:00-19:00; Sat-Sun 10:00-19:00
http://www.eteaket.co.uk/

If you’re looking for a modern, sleek version of the traditional tearoom, head straight to Eteaket. The décor is lovely, with bold pink and blue detailing as well as some kitsch accessories. There’s a substantial sandwich menu and a glorious selection of homebakes (a word of warning – their portions of cake are literally slabs). However, the stars of the show here are certainly the teas: from the classic English and Scottish breakfast teas to an exotic cranberry rose chai tea latte or milkshake, with a whole spectrum of black, green, rooibos, herbal and “speciali-“teas in between. If you prefer your cuppa to be a builder’s brew with a bacon roll for a couple of quid, Eteaket is not for you – but for an elegant afternoon tea, it can’t be faulted.

Loopy Lorna’s Tea House
http://www.loopylornas.com/
Mon-Thur, Sun 10:00-18:00; Fri-Sat 9:00-18:00

With a specialty tea menu as long as your arm and a groaning table of homemade cakes, traybakes and cupcakes to ponder, it’s no surprise Loopy Lorna’s has been voted the best tearoom and coffee shop in Edinburgh. Located in Church Hill theatre, it’s a cosy little place with mismatched china, friendly staff and whimsical tea cosies. A wee bit more pricey than your average, but you do get what you pay for in quality and quantity. It’s also well worth the extra stroll into Morningside. You’ll be glad of it after you’ve polished off a slab of Lorna’s chocolate cake. Get onto the website for tea facts, tea essays and tea poems.

Anteaques
Clerk Street
http://anteaques.co.uk/clerkSt
Fri-Sun 11:00-19:00

Walking into Anteaques on Clerk Street is like walking back in time. A mustachioed waiter, clad in 1900s attire, welcomes you into the shop and maneuvers around customers to show you to a tasting table. The tea menu is a comprehensive read, with all kinds of teas on offer, as well as the traditional accompaniments of scones and cakes. Old-fashioned brewing paraphernalia, antiques and curios are squeezed into the tiny space of Anteaques and create a unique and memorable atmosphere, unlike any other tea shop in Edinburgh. The slight snag is that it’s only open three days a week; Friday, Saturday and Sunday. And be prepared for a very polite waiter to ask you back in half an hour when a table is free. It’s worth the wait.

Pioneers: Humble Indie Bundle

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Pioneers is a column that focuses on discussions surrounding digital culture, including news, reviews and features of games and other webby things that are going on that are interesting.

First off welcome to Pioneers, a new column I”ve set up which is supposed to be a space for me to talk about something interesting or different you clever people on the web are doing, and that other lovely people out there might not know about. I”m not sure I”m happy with the name of it yet, but most of the good names have already been taken or are one of those awful words of demonic offspring – like some bungled mess you”d expect when two cars collide. Words like “Netocracy” or “Infotainment”. I especially wasn”t keen to add a “2.0” to the end of it.

Needless to say, I doubt it will be particularly pioneering, but you never know, you might like it.

So, I thought I”d begin with something easy enough to talk about inspired by a release this week: the bundle.

Now for those of you with their head buried in sand (and not the good silicon type sand, casual everyday beach sand) you might have missed the fact that the games industry – and indeed most entertainment industries for that matter – have found their business models challenged by things people do on the internet. Downloading, sharing, piracy – those sorts of dreadful things. These have not been good for business, or so we have been told.

One of the ways the games industry, closest to these technological changes, have countered these practices with innovative ways of selling games for cheap. Much of the buzz surrounding these bundles have been very useful for selling, and allow people who have liked one game to try other games recommended to them as part of the bundle.

The great thing about these bundles is that they work. Quite well.

In the case of the Humble Indie Bundle – now in its sixth official iteration, but with countess other android only packs and special editions in between – the premise is simple: pay what you want, and choose where that money goes, sharing the spoils between developers, charities (Electronic Frontier Foundation (EFF) and ) and humble themselves who now have a helpful distribution technology which is used by independents to sell their own wares.

The genius of this system is plentiful. The distribution model itself is fantastic, allowing the consumer to have a say in how money is distributed, as well as choosing how much they are willing to pay. Simplicity is key, as without having to log in, one can simply click a few buttons and for next to no money at all (as little as a penny), they have at their disposal enough games to last them a few weeks – or until the next bundle launches.

The charity aspect is crucial too – people are always willing to give a little extra if the money is going something worthwhile, as donating is already a habit established for charity. As well as this, two technology centric charities effortlessly receive an almost guaranteed revenue stream, which is particularly helpful when you have a charity that defends the rights of those notorious to some for not paying for things.

Another feature worth mentioning are the leaderboards displayed on the page ranking and rewarding the highest paid individuals (often well recognised industry types who have digital visibility from games that have successffully emerged in similar set ups) and showcasing which Operating system has paid the most, and how the bundle itself is doing. This mild form of “gamification” – a concept of making things in the real world like games to make difficult or boring tasks fun – adds to proceedings. Beating the average unlocks an extra game and other content, with this average changing – by paying extra, you make it that little bit easier for others to afford that average.

The games themselves tend to already exist, and are usually quite popular before they make it into the bundles – which makes the whole thing that much easier to sell; games which have their own audience bring this audience to five other games they might like, and together the entire industry benefits. Plus, and I think this is a really neat feature for the bundle, if you”ve already pirated the games, you have a way to make amends of your guilt financially.

Speaking of piracy, back when the second bundle was being released, Jef Rosen (one of the developers) revealed to TorrentFreak some of the opinions from an anonymous survey he”d set up to find out why people would still pirate games they could legitimately get for free using bitTorrent, and the results were simple: torrenting was “extremely convenient way to transfer files”. They added the distribution officially to their service with phenomenal success, saving themselves bandwidth costs in the process.

Further revelations from Rosen revealed other habits about those unwilling even to fork out a penny – for some it was idealogical

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(sticking it to the man) but for most it was convenience, while others wanted to share files with friends having already paid on behalf of them all. For those without the means to pay however, there weren”t other options – this includes those too young to have their own debit cards, or where services like google checkout and paypal weren”t working; having found statistical amounts of pirating around 25% the response from Humble was perfect: “”How many legitimate users is it ok to inconvenience in order to reduce piracy?” The answer should be none.” No need for DRM, “we will just focus on making cool games, having great customer service”. Their one request – if you are going to pirate our games they ask you to shout about the games to friends, and “please consider downloading it from BitTorrent instead of using up our bandwidth”.

The Humble

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Bundle is not the only bundle that”s out there – the premise has been copied and expanding upon all over the place including current offerings “Bundle in a Box: Deep Space” and Indie Royale”s “Back To School Bundle” developing the theme, with many more out there no doubt.

Could this work for every release? No. it”s difficult to imagine an IP like Assassin”s Creed being released like this – not until the game has received a separate release and is being re-packaged for a few extra pennies or in anticipation of the next instalment, but there might be something of which developers should take note.

These sales work because of the reduced costs in making the games that keep overheads low – and the fact that most of these games have already been successful. These platforms offer extra publicity that really push their recognition into a mainstream that they may or may not already have, and thus help fuel sales of future games these companies produce; many of the games end up getting pledged into open source (allowing the games” codes to be seen by anyone, and thus handing over the keys for unlimited meddling and community adaptation).

The real issue is not how to stop people not paying – but making sure your stuff gets seen by the people willing to pay at all.

Now to the Games.

Short, pithy reviews of the games featured in this, the sixth Humble Indie Bundle. Once again, it”s a cracker, with some really rather wonderful favourites from the Indy development world. Really it makes little difference what I say when you can pick the games up for yourself for next to nothing at all, but for what it”s worth:

I must have played for hours when I bought it for the PS3 a few years ago – a breakout clone with some extra tools, it”s a classic retro game souped up with 007 gadgets, with a couple of handfuls of barbiturates shoved up its jacksie for good measure. Frenetic gameplay with an equally pumping soundtrack guarantee some extreme arcade fun. If you need a soundtrack for your next gym session, this too comes bundled with the purchase. Instant Classic.

Shatter - screenshot from the game

“Shatter” just makes me want to wet myself

S.P.A.Z. (Ships, Pirates and Zombies) is a game that according to its developers harkens back to the kind of games that people don”t make any more; with mod options built into the game, this thing has got the legs to last you if that”s what you want; if flying through space, building fleets and mining asteroids sounds like fun to you, then the fantastic presentation and general design should make this an ideal purchase, but didn”t necessarily push my buttons.

is a game I”ve enjoyed far more than most I”ve played in the last month. Set on a mining station in space, the game sees you play a rotund labourer armed with a laser tool that allows you to grab shoot and throw objects to solve puzzles and save the world. It has a gentle learning curve, metroid-esque in its interwoven deployment and every time I think I”m getting to the end of the game I”m suddenly thrown into a whole new level and given an upgrade to mix up gameplay; I don”t care much particularly for the story, but this puzzle platformer develops its core mechanic so well, and so beautifully, that for me it is an essential purchase. Worth buying the bundle for this on its own.

Rochard. More fun than it looks apparently.

Rochard makes my balls tingle. It must feel so nice to let your genitals loose in zero gravity.

seemed enjoyable for my brief stint; you play Arkwright, an inventor, who can create water-creatures to push buttons and open doors. Working out the patterns and rhythms of certain buttons allows you to progress through the game with a steam-punk aesthetic that lends the game an awesome atmosphere to carry off what is essentially a solid physics puzzler; it didn”t grab me the way that Rochard has, but once again the puzzle-platformer genre appears to be the auteur”s choice for game development, allowing the content and form to be delivered succinctly in a package that will pass away a couple of hours with delight, if not with a little frustration and difficulty.

is a great little RPG, where you design a hero and thrust him into a world of magic, goblins and swords, delve into mines, plunder treasure and trade in villages accompanied by your faithful customised companion – in my case a wild cat called Lawrence. I stopped myself before I could get hooked, knowing full well that if I played much more I would be lost for days in the labyrinthine worlds, desperate to level up beyond my means. The splendid visuals matched with simple controls are a killer combination for someone looking for an arcade style RPG, but I alas, could not cut it having to eventually engage with real life. God I miss Lawrence.

Bonus Extra: Dustforce is I suppose a “clean-em up”, a fast paced platformer where you must throw yourself from wall to wall, speed cleaning mansions with ninja-like aplomb; Due to my shitty PC I found the controls a bit stressful for my chubby fingers, so I didn”t get a chance to explore the games full potential, but I imagine the theme is developed to satisfy the most dexterous of digits- it certainly looked great and very easy to jump into if so inclined.

So, that”s it. I hope you liked it. If you have anything you think is interesting in the way that the internet does stuff, let me know. I”ll do a bit on kickstarter and throw in a review of FTL next week. Do give the bundle a go, it”s wicked fun.

In Session Interview Mindmap

interview-mindmap

In Session

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Interview Mindmap

Steve Martin is Funnier than you

SteveMartin

I’m sorry you may be extremely funny, I just doubt you are funnier than Steve Martin. Watch this wild and crazy guy”s Happy feet.

 

See he’s funnier than you. His work in the seventies was revolutionary, he made deconstructing the scene, a scene. His work on Saturday Night Live was legendary; watching him face off against Bill Murray or John Belushi is the pinnacle of American comedy in an oversaturated market. But sadly, for the greater part of our generation we see Steve Martin as the sweet buffoon from Cheaper by the Dozen or Bringing Down the House. I’m not saying these are monstrosities or even particularly terrible, I’m just trying to communicate that Steve Martin is so much better.

LA Story is an incredibly personal film, about a man pushing against LA phonies despite being a phony himself. This same joke, this same thought process is shown in his stand-up performances throughout the ‘70s. I say this because while LA story, the Jerk and Planes Trains and Automobiles are easily accessible and popular with our generation, his years on TV are not. Martin left stand-up to pursue a career in film throughout the ‘80s and many of the early performances on SNL and other shows were left to nerds like me. This is a shame, because they were ludicrously funny.

It occurs to me that this is reading like an obituary, incidentally here is an obit Martin wrote for the New Yorker . Anyway, this is not Steve Martins obituary he is alive and well, more importantly he is releasing a collection, “Television stuff”, which compiles his early material across three DVDs. Arguably, the funniest and the most important period of his career, it will be wonderful to see on something other than YouTube.

Watch Steve Martin in Planes Trains and Automobiles and LA story and you see a wickedly funny but thoughtful performer. Read his many essays and articles and you get a feeling for his sharp intellect. Listen to his bluegrass and you hear him playing bluegrass. Most importantly watch this DVD and you will see he is funnier than you.

Steve Martin: Television Stuff has been released in America and is available to order on amazon.com. Sadly, there is no UK release date as of yet, but really what is the cost of a region free DVD player compared to the misery of not seeing this.

Nanu-Nanu Spotify Playlist – Back to School

Back to School spotify

When I was asked to compile this playlist I was excited. Excitement which swiftly sunk into depression after I was informed that a) Tayler Swifts complete works is not appropriate and b) I was limited to 1 Grease track.

After several hours weeping/pleading with our Editor Finlay, I whittled my list down to 15 tracks. It”s constructed almost entirely with references to failed TV shows and John Hughes

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finest (spoiler alert not “Flubber”)

Enjoy!

Read On…