Archive for April, 2013

Admiral Fallow In Session

Admiral Fallow

As part of a Record Store Day special on April 20th, we captured Louis, Kevin, and Sarah of Scottish folk-pop heavyweights Admiral Fallow for a session on the day that the band released a limited run of their acclaimed (longlisted for the 2013 SAY Award) second LP ‘Tree Bursts In Snow’ on vinyl for the first time to commemorate RSD 2013.

We chatted with the band about their formation, having to start the applause themselves at grim open mics, plus the evolution of their writing process and their eclectic assortment of instruments used in the past, present and future.

Admiral Fallow’s SAY Award long-listed LP ‘Tree Bursts In Snow’ is available to purchase from Nettwerk Records via their website.

To keep up to date on all things Admiral Fallow:
YouTube Channel: http://www.youtube.com/user/AdmiralFallowVEVO
Website: http://www.admiralfallow.com
Twitter: @AdmiralFallow

Full Session (including interview)

In Session – Admiral Fallow by Radioblagger on Mixcloud

 
Tracklisting:

1. Beetle In The Box (Live on In Session)

2. Oh, Oscar (Live on In Session)

3. Guest Of The Government (Live on In Session)
 


Admiral Fallow – Beetle In The Box (Live on In Session)
 

Admiral Fallow – Oh, Oscar (Live on In Session)
 

Admiral Fallow – Guest Of The Government (Live on In Session)
 
In Session broadcasts live on Freshair.org.uk every Saturday from 6-7pm featuring a plethora of the hottest new music from the Scottish scene, a roundup of recent and upcoming gigs, and, of course, a guest performing live in the studio.

Follow In Session on Twitter

Like In Session on Facebook

Download our free/charity mixtapes which compile every artist featured on In Session 2011 and 2012 here – http://insession.bandcamp.com

Music: Meursault @ Liquid Room

Meursault

It used be that you’d never need to go more than a couple of weeks without seeing Meursault playing in Edinburgh. Now however, it’s turned into a can’t-miss biannual phenomenon where sorely missed backdrops like The Bowery’s are left behind for stages better suited to Neil Pennycook’s ever growing and ever tending towards americana outfit. Well tonight just so happens to be one of those nights, for tonight is the first of series of gigs at Liquid Room orchestrated by local festival-doers Haddowfest. Compered by BBC Radio 1’s Ally McCrae and featuring Withered Hand and FOUND (both hand picked by Meursault themselves) proceedings promise to be a fairly eclectic. An expected mix of classics from 2009’s Good News and new tracks should be a treat from Withered Hand who’ll be in full band formation. They’ll be on early so make sure you get along sharp! Currently a band in flux, losing a member to fatherhood and adding a drummer in recent months, I’m hoping FOUND will make the same jump Meursault did when they swapped electronics for acoustic drums between All Creatures Will Make Merry and Something For The Weakened. And as if you need any persuading as to why you can’t miss Meursault this time around, simply click below. Doors are at 7.

Luke Sital-Singh In Session

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As part of our Record Store Day special, of which there is plenty more to come, we were fortunate enough to have the opportunity to savour the presence of the phenomenally talented Luke Sital-Singh who was in town for the Edinburgh leg of his headline UK tour to promote his new EP ‘Old Flint’. With Luke’s delicate and beautifully toned voice drawing welcome comparisons to Bon Iver and Damien Rice, this Londoner is performing on another level to his peers around him; having recently secured a support slot on The Rolling Stones’ upcoming concert at Hyde Park.

We chatted with Luke about his preference to work and perform alone, self-reflection, and whether or not one of his (formerly) favourite bands, Slipknot, ever recorded an album in a haunted house.

Luke Sital-Singh’s new EP ‘Old Flint’ is available now on Raygun Music via iTunes.

To keep up to date on all things Luke Sital-Singh:
YouTube Channel: http://www.youtube.com/user/lukesitalsingh
Website: http://www.lukesitalsingh.com
Twitter: @lukesitalsingh

Full Session (including interview)

In Session – Luke Sital-Singh by Radioblagger on Mixcloud

 
Tracklisting:

1. Inaudible Sighs (Live on In Session)

2. Bottled Up Tight (Live on In Session)

3. Fail For You (Live on In Session)
 


Luke Sital-Singh – Inaudible Sighs (Live on In Session)
 

Luke Sital-Singh – Bottled Up Tight (Live on In Session)
 

Luke Sital-Singh – Fail For You (Live on In Session)
 
In Session broadcasts live on Freshair.org.uk every Saturday from 6-7pm featuring a plethora of the hottest new music from the Scottish scene, a roundup of recent and upcoming gigs, and, of course, a guest performing live in the studio.

Follow In Session on Twitter

Like In Session on Facebook

Download our free/charity mixtapes which compile every artist featured on In Session 2011 and 2012 here – http://insession.bandcamp.com

Record Store Days

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I bought my first vinyl record online – to some extent, a terribly ironic sign of the times, but also a sign of Shetland’s remoteness. It was Elle Milano’s ‘Swearing’s for Art Students’ EP, angsty teenage indie obscurity on limited edition red vinyl. I got number 455 of 500.

My first experience of buying vinyl in a shop was in OneUp in Aberdeen, which sadly closed at the end of January this year.  I bought a handful of 7” singles, including some Maxïmo Park and ¡Forward, Russia!, each 99p. I felt very, very cool. If I hadn’t been a 14 year old girl, I might have tried to strike up conversation with the shop owner, and if I hadn’t lived a sea away I would have been back a little more often.

Since moving to Edinburgh, I have had some great finds in record shops across the city, from taking a gamble on saxophonist Illinois Jacques at Record Shak to things I immediately knew I would cherish, such as a lovely gatefold edition of ‘Beggars Banquet’ alongside the Grease soundtrack from VoxBox. My local record shop, however, will always be Clive’s.

I never bought vinyl in Clive’s. By the time I came on the scene it was first cassettes, and then CDs – too early for the record resurgence. I remember getting Marvin and Tamara’s Groove Machine on tape, which I still own. What do you mean you don’t remember them? It was the summer of ’99, baby:

I remember my mum and nan discussing in hushed tones whether it was appropriate for me to spend a record token on Wheatus’ debut album because it had a parental advisory sticker. I never did get any more than the radio edit of Teenage Dirtbag. I remember going in with my first proper boyfriend to pick up a copy of Pulp’s ‘Different Class’ so we could discover it together. Cheesy, but so began a love affair that has spanned years (I am of course referring to myself and Jarvis Cocker et al, not the boyfriend). I also remember going in during my heavy Glasgow indie, Domino Records phase and tentatively asking a cheery shop assistant if they had a copy of Sons and Daughters’ ‘Love the Cup’. They did.

Clives

Like OneUp, Clive’s also closed, back in 2011, having served Shetland’s population since the 1970s. Of course I played a part in the closure; we all did, and we all continue to do so. The convenience of online shopping and especially of downloading cannot be understated. As well as this, music services such as Spotify – on which I do have a paid account – mean that you can listen to pretty much anything you’ve ever wanted to, and plenty that you didn’t even know you wanted to, at the touch of a button. I use it as background noise when I’m focusing on other tasks. I download songs from the Top 40 that get stuck in my head so that I can play them to death on my walk to university, and then delete them the next time I reorganise my iPod (limited storage you see! It’s not like a physical shelf where you can just perch case upon case, until one day they all fall down and you think ‘maybe I should get a bigger shelf’).

I would hesitate to say that I treat these downloads as disposable. That seems to be unfair to the artists in question, though to some extent that is always how pop music will be consumed. Possibly more appropriate would be to say that I have no connection to the downloading process. I sit on my bed and I click.

I could count the number of music downloads I can vaguely remember carrying out on one hand. Even fewer online CD purchases. There’s no interaction. There’s no story.

People, righteous vinyl junkies, always point out that in a record shop, you can meet like-minded people. You can take risks based on what they recommend to you, and hopefully you can do the same for them. This is absolutely true, especially if you can get over your fear of looking terribly uncool and uneducated – top tip: throwing yourself in at the deep end and buying the most embarrassing thing you can find will blow that right out of the way.

But it’s also a way to bond with people you already know, discovering music together, sharing your tastes and laughing at each other when you almost accidentally purchase some Scandinavian screamo/thrash/metal ‘cause it had a hilarious picture of a cat on the front. Just goes to show you can never judge a record by its sleeve, or something.

recordz

Music sharing services online have tried to incorporate this sharing facility, and to some extent they probably are effective. However, realistically, how many times have you seen via Facebook that a friend was listening to something on Spotify, or seen their top 3 last.fm artists of the week published on Twitter and thought “hmm, I must tune into some of that”? The experience of heading to a record shop with a friend is a very difficult one to replicate, just as reading in 140 characters that someone you know thinks a film was fairly good is never going to have the same effect as a drawn out discussion with them about it over a couple of pints.

Record Store Day is a fantastic thing to support because record stores are fantastic things – livelihoods – worth supporting. Vinyl is pretty trendy right now: by all means, scrum on down to your nearest emporium today and scramble with the other hipsters for that special edition release. You’ll certainly have a story to tell, and I hope the rush you get will keep you going back. Record shops are worth supporting, but what’s more, they need supporting. Following the demise of Clive’s, Shetland is lacking a dedicated music outlet – and probably always will. On the other hand, Edinburgh’s independent record shop scene appears to be rather densely populated; something for the city to be proud of. If we continue to frequent and nurture these shops, they will continue to give back – and what’s not to like about that?

Interested in exploring Edinburgh’s independent music shop scene? Check out our Nanu Maps: Record Shops to find out more.

The F-Word: When is a compliment not a compliment?

Street Harassment

To understand a man”, said somebody wise once, “you must first walk a mile in his shoes”. It’s a proverb widely reused across popular culture, and often misattributed to To Kill A Mockingbird’s resident moral compass Atticus Finch who in actual fact talked of how You never really understand a person until you consider things from his point of view – until you climb into his skin and walk around in it.” It’s a nice idea, and one that more people should employ in their day-to-day lives – try to see things from other points of view, but acknowledge that nobody can truly understand the problems facing someone but that person him/herself. It is in fact an idea that has much to contribute to feminist discussions of male privilege and intersectionality (the notion that all types of oppression are interconnected and can’t be examined in isolation from each other). Oh Atticus Finch, you feminist icon, you.

It’s no coincidence, though, that these classic lines are gendered in favour of men. Too often the world has worn the shoes of its male inhabitants, with the result that ‘women’s issues’ are frequently dismissed because of their invisibility to those who write the papers and the policy, those who run boardrooms and bars alike. One such issue is that of street harassment, and it’s one thatInternational Anti Street-Harassment Week, which ended yesterday, has attempted to address. When taking street harassment generally to refer to any unwanted verbal or physical attention in a public place, 99% of women over 13 report having experienced it – and yet too often they’re met with disdain as to why they’ve over-reacted to a compliment, or the hilaaaarious joke that us lads would love it if more women pinched us on the bum in nightclubs, ho ho ho.

And maybe you would. Because street harassment is itself symbolic of a wider power relation in which men dominate and control public space. It would be totally out of order (not to mention out of character) for me to smack a man’s bum in the street, but it’s unlikely to evoke the same level of intimidation and panic for him as it does for the 14-year-old girl being followed home from school, or the woman leaving a bar alone with her heart rate raised as she clocks the men standing in a doorway, or the student who’s scared to wait for the bus because of the men in the bus stop making lewd comments. In fact, I’d probably be called a slag or a whore were I to engage in the street harassment behaviour that women experience every day. It is, of course, another signifier that men run the show when it comes to sex. They’re the ones with the desires that just can’t be suppressed and find their outlet in a wolf whistle or a sleazy comment while women find themselves the passive recipients, labelled a slut if they do and a slut if they don’t.

And street harassment doesn’t just refer to these wolfwhistles or sleazy comments. You only need to glance over Everyday Sexism’s #shoutingbackhashtag, or the official Anti-Street Harassment Week one #EndSH to see that behaviours we might view as extreme are actually commonplace; women being followed is a common theme, as is the threat of violence. Far too many women report men exposing themselves and often even pleasuring themselves in front of them. Transport is a place full of potential dangers. Going for a jog isn’t safe either. Don’t even mention nightclubs or offices. Young girls aren’t free from harassment, just as harassers start young with women reporting obscene comments from groups of boys as young as 12. It doesn’t matter if they think you’re attractive or not; sometimes you’ll get sexual orders yelled at you, sometimes you’ll be called ‘an ugly dyke’ or laughed at. There is no place in the public sphere safe from harassment, and so street harassment is not a non-issue unless you’re totally fine with women staying indoors all day too afraid to leave. What is there to see outside anyway? Nothing the menfolk can’t deal with.

That men feel entitled to women’s bodies doesn’t bode well in the age of Steubenville and the New Delhi rape. That boys as young as 12 have a sense of male privilege where the sole purpose of women is for their sexual satisfaction doesn’t bode well in a culture where we routinely blame and ostracise women for their rape, while letting perpetrators off on the basis of their victims’ heel height or blood alcohol level. As long as you think that rape and sexual assault are issues, street harassment can’t be invisible. It’s the ugly undercurrent of patriarchy. It is at once a root and a symptom of rape culture.

There’s a misguided idea that it’s difficult for a man to compliment a woman without her getting on her high horse and slapping his hand away, god forbid he should speak to her like that. I’d like to counter that with the somewhat revolutionary suggestion that women, like men, are just human beings. Compliments are good, we like them too. The dictionary definition of ‘compliment’ refers to ‘politeness’. Compliment away! Some of us go out looking for compliments. Some of us go out looking for sex, much like some men do. Feel free to indulge us. The same social cues that apply to men actually apply to us too; if a man isn’t receptive and doesn’t engage with you, you probably leave him alone, right? I hope you’re catching on by now; treat women like human beings with the same respect afforded to anyone else and you’ll be just dandy. If you’re still stuck: when is a compliment not a compliment? When it’s a threat or a statement of intent.

So maybe it’s about time for minimisers of street harassment to walk a mile in a woman’s shoes, or climb into her skin and walk around inside it. See how it feels for every public space to be a potential warzone; for your workplace or place of education to be intimidating, for a night out to turn sour, for your daily run to be punctuated with shouts and whistles. For you to ignore it all only for the perpetrator to turn nasty, and sometimes physically aggressive. For you to be blamed when this is the case, because you were inviting the attention, or giving attitude in the face of a compliment. Walk a mile in a woman’s shoes, or climb into her skin and walk around inside it for you to see that it makes no difference whether the shoes are high or flat, sparkly or plain. That it doesn’t matter if the skin is covered up or on display. Women will continue to receive this unwanted attention no matter what we look like or what we’re wearing, and we’ll continue to be blamed for it. As long as this remains the case, street harassment has to be an issue for everyone. The world has long been overdue a new pair of shoes.

Five Reasons to Watch Parks and Recreation

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Today I have inhaled Parks and Recreation, a sitcom I not so wittily described as a breath of fresh air. Because they work in Parks, where fresh air abound! I’m an idiot but this shouldn’t stop you from watching and enjoying Parks and rec

Parks and Recreation is currently airing on BBC4, a terrific sitcom that all but passed me by when it was released. Luckily I set it to record last time I was home and so had a marathon ready for me when I returned from Uni for Easter. I wont bore you with a synopsis of the show, because it is based on the lives of bureaucrats in a tiny town and telling you this likely achieves the opposite of my goal (making you watch this show). There are dozens of reasons you should watch it, so guess what I did? I made a list of five of them.

Reasons you should watch Parks and Recreation (with clips)

Leslie Knope

Amy Poehler graduated from the same era of SNL as Tina Fey and Kirsten Whigg, Leslie Knope (and the show in general) represents both her first step beyond SNL. I would argue that Parks is also her best work to date (not including Baby Mama)

N.B. hey look its Louie C.K!

Ron Swanson

Ron Swanson’s Office

I was also going to include “Ron Swanson’s Moustache” but I felt the point was implied with the other clips. the point being that he has a glorious moustache

Funny Women

Parks and Recreation is also useful as a font of endless clips settling the popular women aren’t  funny ‘debate’.

ROB LOWE

Rob Lowe as at least three of you know was in the West Wing and remains my favourite member of the Brat Pack. He (according to the internet/his twitter) enters the Second Season near the end and remains. So why wouldn’t you watch this show? If you’re a fan of the West Wing, his last big political role, why wouldn’t you want more of this?

If the possibility of more of that is not something that gets you watching this show chances are you are not me and that’s fine but you should still watch the show.

I know this is a lazy article, but give me a break I’m only just back and to be honest I’ve been pretty busy watching Parks and Recreation. Really I’m doing you a favour, because now you will probably watch this show 4 years late and your world will be a marginally better place

I really love this theme as well, I have a very “MC Hammer” dance for it which I will show you if you buy me a beer or ask super nicely

Panda Su In Session

Panda Su by Portis Wasp


In Session: Panda Su

Last Friday, Lily and I welcomed Panda Su, a DIY musician whose dreamy vocals have garnered heaps of critical acclaim and adoration from fans following the release of two EPs ‘Sticks and Stones’ and ‘I Begin’. We managed to catch her before the Edinburgh leg of her Scottish tour where Su is debuting new material ahead of her upcoming debut album. We talked about creative processes, whether you actually need to ‘know’ how to play guitar to be able play it, and why exactly Su loves pandas over all the other bears in the world (even the gummy kind).

Panda Su, with the help of her band-mate Adam Phillips, performed two songs for us, ‘The Alphabet Song’ and ‘Lines’ which, for the first time on In Session, are accompanied by video recordings (scroll down) thanks to the fantastic help of Richard Hanrahan. There would have been a third song to boast, a live rendition of new song ‘Maps’, but, sadly, chaotic hardware issues snafued that plan. However, to close out the podcast, we do have an advance play of ‘Maps’ which is due for release on April 29th on Su’s DIY label, Peterpanda Records.

Panda Su’s next appearance in Edinburgh will be on April 26th at Summerhall for ‘Neu! Reekie!’

To keep up to date on all things Panda Su via her website, Twitter, and Facebook.

In Session – Panda Su by Radioblagger on Mixcloud

Tracklisting:

1. Panda Su – The Alphabet Song (Live on In Session)

2. Panda Su – Lines (Live on In Session)

3. Holly Wilson – Summer Mind

4. Panda Su – Maps

 

Panda Su – The Alphabet Song (Live on In Session)
 

Panda Su – Lines (Live on In Session)
 

In Session broadcasts live on Freshair.org.uk every Saturday from 6-7pm featuring a plethora of the hottest new music from the Scottish scene, a roundup of recent and upcoming gigs, and, of course, a guest performing live in the studio.

Follow In Session on Twitter

Like In Session on Facebook

Download our free/charity mixtapes which compile every artist featured on In Session 2011 and 2012 here – http://insession.bandcamp.com

Fin and Hitch’s Inspirablog: We should get a dog.

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So it took a while but eventually, after running through two of Edinburgh”s dog walking hotspots on an almost daily basis, I turned to Hitch and proclaimed “we should get

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a dog”. What would be better than man”s best friend to accompany us on our new routine? We go on the run anyway, it is frankly irresponsible for us not to get a dog – and would make me cleaning up any turds Hitch leaves on the path that much more excusable for me if we can blame it on the dog.

Now forget about all the responsibility that owning a dog brings; the walks, the feeding, the picking up dog shit, the vet bills, the silly games, the picking up of more dog shit. Let”s get down to the really important stuff:

Which breed of dog?

Finlay”s Choice – Pug

My god why would you buy any other dog? These cute little bastards not only look the business but are full of personality, well at least all those pug gifs I”ve seen on Tumblr have led me to believe they are.

Would also consider: Golden Retriever or Black Labrador.

Hitch”s Choice –

I don”t know what dog breeds are, but I”d like my dog to be happy, good at barking – but never loud – and a good listener. It wouldn”t go a miss to have a dog who shares the same humour as me – it will be spending a lot of time in my flat listening to me play guitar and “entertaining” it, so it would be brilliant if it enjoys this kind of lifestyle, as well as the occasional running.

That or the dulux dog.

;

What would we name it?

Finlay”s Name of Choice – Dr Leonard McCoy or Bones for short.

Star Trek joke aside I have always loved the idea of calling a dog Bones. Plus if his career as running sidekick falls through he could always get a new gig as a dog detective.

Hitch”s Name of Choice –

I can”t decide. If it”s a boy, I”m gonna call it Spankz. If it”s a girl dog, I”m still gonna call it spankz. I don”t know, but the name just feels right. Other possibilities: Tony, Dogboy, Tina, Gerbil or flufft.

I”m not very good with names, so I will probably change it on the fly. Poor thing will get very confused.

Today”s track had to be Florence and the Machine – Dog Days Are Over. It is a great track for near the start of a run plus it both mentions running and has dog in the title. Subscribe to the playlist

http://www.youtube.com/watch?v=PGrx6etMl0w

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